Artificial Intelligence and Digital Colonialism in Sepideh Takshi’s Virtual Exhibition

Sepideh Takshi’s immersive online exhibition, curated by Victor Murari, explores algorithmic systems, technical censorship, and the political use of archives.
The exhibit uses video works, three-dimensional environments, and generative structures to analyze the technological infrastructures that govern contemporary society.
The artist’s work focuses on the dynamics of automatic cataloging, practices of technical censorship, and the processing of images and collective memories.
Takshi uses artificial intelligence and the glitch technique to reveal the power dynamics and vulnerabilities in modern data systems and practices of recognition.
The exhibition is divided into three parts: controversial historical archives and their alterations, the human body subjected to data cataloging, and alternative methods using artificial intelligence to create new narrative forms.
An interactive platform named One Thousand and One Nights illustrates cultural resistance and memory preservation through algorithmic-governed circuits.
Takshi’s work challenges the impartiality of digital media, revealing its cultural and political repercussions and focusing on disruptions and exclusions in visual systems.

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