From the rooftops of le gras to artificial intelligence: 200 years of photography (and much contemporaneity) on display at the XXI Edition of Fotografia Europea in Reggio Emilia

From the rooftops of le gras to artificial intelligence: 200 years of photography (and much contemporaneity) on display at the XXI Edition of Fotografia Europea in Reggio Emilia

From the rooftops of le gras to artificial intelligence: 200 years of photography (and much contemporaneity) on display at the XXI Edition of Fotografia Europea in Reggio Emilia

https://www.juliet-artmagazine.com/en/from-the-rooftops-of-le-gras-to-artificial-intelligence-200-years-of-photography-and-much-contemporaneity-on-display-at-the-xxi-edition-of-fotografia-europea-in-reggio-emilia/

Publish Date: 2026-05-18 03:35:00

Source Domain: www.juliet-artmagazine.com

  • Project Bravo: The work by Felipe Romero Beltrán, which explores the socio-political theme of crossing the border between Mexico and the United States via images of abandoned objects and places.
  • Theme of Absence: The XXI edition of the Festival della Fotografia Europea (“Photography European Festival”) addresses the concept of absence that remains as presence, including the impact of photography on society.
  • Our Hidden Room: A project by Mohamed Hassan about his father, who retreated into a secret room due to mental illness, illustrating the theme of hidden spaces and mental health.
  • Automated Refusal: Salvatore Vitale’s series on young Black South Africans navigating a workforce increasingly shaped by artificial intelligence, highlighting the struggles of modern workers.
  • Ghosts of the Everyday: The festival includes diverse projects that approach themes of presence in absence, memory, and voyeurism, such as Tania Franco Klein’s exploration of perception and prejudice.
  • Venues and Exhibitions: The festival spans various locations including Palazzo da Mosto and Chiostri di San Pietro, showcasing historical retrospectives, contemporary photography, and multimedia installations.
  • New Projects: Several innovative and experimental projects are highlighted, such as Mykola Ridnyi’s use of the eye’s blind spot as a metaphor for obscured truths in war.
  • Educational and Cultural Expansion: The festival extends with a fair of photography book publishers, a dense schedule of seminars, and a substantial catalogue, reflecting its commitment to cultural education and global connections.